Servando Ramos is
well in the way to become Tejano music’s next major
superstar.
Unless you’re
familiar with Ramos, if you haven’t heard or seen this
rising newcomer in action, be ready to be get your
socks knocked off with his assertive "taca taca"
accordion style.
"My accordion style
is heavier and more up tempo with a little spark, a
little more taca taca," the 32-year-old
singer-songwriter-musician said during an interview at
the Hispanic Entertainment Archives office.
His grandparents,
Frank and Rachel Ramos, were the type of ballroom
dancers that today one sees on "Dancing with the
Stars." His father, David Ramos, played drums with
Houston’s Neto Pérez and the Originals; and his uncle,
Joe Ramos, played with Sunny and the Sunliners. So
needless to say, Servando was exposed to Tejano music
since birth.
"I grew up seeing my
grandparents dance in our living room and seeing my
father play drums, bongos and maracas in Sunday
afternoon jam sessions at home," the Pasadena,
Texas-native recalled. "And as a small tot, I knew how
to record, rewind and play back on a small tape
recorder. So I’d walk around recording my dad’s
practice sessions at a time when my favorite songs
were ‘Por Está Calle Vives’ and ‘El Chubasco.’
Following in his
father’s footsteps, Ramos played drums at home and at
churches, was first chair on snare drums at Thompson
Intermediate; and played percussion with the Dobie
High School marching band.
He was 14 when his
mother developed an interest in learning the accordion
and a music teacher came over to their house to teach
her the basic scales, but she couldn’t catch on.
Meanwhile, Ramos, who had been watching, did the scale
in five minutes and by the time the instructor left,
he was able to play "Las Mańanitas."
"Playing drums
helped me with rhythm and tempo because the beat has
to be right on, so that now makes me more in tune with
the drummer when I play accordion," he explained.
While his name is
new to most people and "Taca Taca" is his second
compact disc as a solo artist, Ramos had been
performing since 1994 when at 16; he joined Regreso
Band de Charlie Montemayor and developed a reputation
as one of the best accordion players in the Houston
area.
In mid 1996, he was
sought out and recruited by Albert Romo to join La
Traizión de Pablo Urbina with whom he recorded "Solo
Contigo," his first compact disc. Two years later,
Ramos, Romo and some original Traizion members –
Douglas Dávila, lead vocals; Dave Dávila, keyboards;
Agustin Paulina, guitar; Rubén Dávila, bass -- formed
Grupo Fiel.
By the time they
recorded the Ramos penned "No Regreses Mas" for their
"Contigo Estar" CD. Ramos’ style also started to be
more noticeable and he was standing out from other
accordionists.
"I played different
because I have that feel in the music. I had a certain
tempo in my spirit and my body and soul would move
with the rhythm of the accordion," Ramos said.
"People would look
at me and say I moved like Little Richard when he
played the piano. The truth is that I couldn’t control
the feelings I had in my body and to this day, I still
can’t. So I have to turn, make my moves and walk from
one end of the stage to the other."
At the turn of the
century Grupo Fiel was in tight competition with Aviso
as both toured throughout Texas. This lasted until
2004 when creative differences among the band
compelled Ramos to leave.
"The differences
gave me the nudge I needed and it was a blessing
because it moved me forward to where I am now. But
first I did a two-year stint with Lisa
(Torres-Miranda) y Aventura during which we recorded a
CD that was never released."
Mid 2006 was the
first major turning point for the accordionist, who up
to this point had only been heard on harmony, back-up
vocals and perhaps one or two songs. He learned
everything he could learn about the recording side of
the industry from books and the internet, then opened
Texas Sound Studios and started working on the
production side. Still, he missed being on stage and
in January 2008, rejoined La Traizión.
As fate would have
it, that same year, a former high school classmate
contacted Ramos for a gig. To kill two birds with one
stone, he went to one of her two hair salons for a
haircut and to talk business; and he wound up with the
gig plus a date.
"I reconnected with
her and I never left," Ramos said as he flashed a big
smile.
He married the
former Ana María Ibarra on November 20, 2009 and she
gave him the confidence he needed to take the next
step.
"I loved to sing and
I had memorized over 500 songs; and now that I had my
own studio I recorded my own voice. But I sounded
weird and I wasn’t comfortable listening to my own
voice. However, she told me I sounded good, that I had
the talent, encouraged me to go for it and pushed me
to get my own thing going.
"I was also tired of
waiting around and I realized that if you want to do
something right, you have to do it yourself, so we
moved forward with our plan.
"We came up with Los
Texas Outlaws as the name for the band because we
wanted something that showed that we were going out on
the limb and do something different, something against
the law that puts limits on everything."
The original outlaws
were Ramos, accordion and lead vocals; Román Leal,
bajo sexto; Erik Segura, bass; and Orlando Ramos,
drums.
"I wanted to set a
new mark for a new generation of Tejanos with
something new.’ Therefore the theme for our first CD
was a train because we wanted to get on the train and
start hitting each town and winning the hearts of
people.
"I was fortunate
that everybody liked m voice on ‘Traime Una Bironga’
because it got me to where I am now."
This year, Ramos
released the catchy "Taca Taca" on his own Texas Star
label. Other tunes are "Te Amo," "Mi Trokita," the
Selena-loss inspired "Si Estuvieras Aqui," "Que
Bonito," the double co notational "Saca La Mangera," "Sangre
Alteńa," "Ya Te Olvide" and the haunting accordion
laced "Me Dijo No," based on "Land of a 1,000 Dances"
and which will made into a video introducing new
cumbia dance steps.
The CD also features
three guest soloists, Aviso’s Chris Q on "Hotel
California," Jesse Fonseca on "Back at One" and Jenne
Celine Madrid on "Princesita de Tejas," which Ramos
specifically wrote for her.
Today the Texas
Outlaws are Ramos, Héctor Gallardo, bajo sexto;
Segura, bass; Charlie Huitron, drums; and Homero
Huitron on percussion.
Ramos, who is always
clad in western garb, is a full-time computer wizard
at the NASA Houston Space Center.
"Most of my gigs are
on weekends, but I’m also fortunate to have a pretty
flexible schedule and most important, a very
supportive boss," the space cowboy said of his
employer.
For booking, one can
contact Ana Ramos at (281) 919-7909.
For more information on
the Texas Outlaws, go to