Roger Velásquez Participated in Tejano Music Awards
Latin Breed Tribute
By Ramón Hernández
This year’s
Tejano Music Awards show featured four tributes, a
tribute to Laura Canales, Elsa García, the Quintanilla
Family, La Mafia and Latin Breed. And the latter is
where Roger Velásquez comes in.
The 48-year
old vocalist not only played guitar with the Tejano
Music Awards All-Stars Band led by Bob Gallarza, but
Velásquez, Adalberto Gallegos, Jay Pérez and Pee Wee
all performed a Breed song.
"I started
following the Breed in 1973," Velásquez said during an
interview at the Hispanic Entertainment Archives.
In 1981, when
La Paz was the house band at the Other Place and the
Breed was performing as Fantasia at the Latin Corner –
both being less than two miles from each other,
Velásquez would often go there, sit in, jam with the
Breed and study them slowly building up a friendship
and a bond with Gilbert "Gibby" Escobedo. However,
Velasquez’s musical history goes back to his
pre-school days; and this is his condensed story.
"My father,
Guillermo "Willie" Velásquez sang with Piel Canela and
was about to embark on a professional career, but
then, me and my brothers were born and he had to set
his career aside to concentrate on raising a family,"
he revealed in regard to the man who planned his
musical seed.
"I was born
with it. They tell me stories that when I was a baby,
I would pull out all the pots and pans and bang on
them. Later I would take out two or three different
sized metal trash can and flip them upside down
because each one had a different tone. I would also
use the lids as cymbals. And when my father saw this,
he said, ‘This guerco wants to play drums’ and
he bought me a set of drums.
"Growing up,
every day I heard my dad sing in the shower and I
would copy his tone, his vibrato and the way he did
everything – plus imitate everything I heard on KTSA
and KCOR at my abuelitas house."
Therefore it
was no surprise Velásquez went on to play drums in
Harlandale Middle and High School, where he learned to
read music and play percussion and various types of
drums.
"By the time
I was ten, I had already explored rhythms and beat on
my own. And I was also trying to build my own guitar
with a board I put screws on and strung with wire from
window screens I unraveled," Velásquez continued.
In 1973, he
and his brother Edmund took a group of middle school
band mates and formed Indian War Child and won their
first talent contest. A year later they changed their
name to Sky’s the Limit and Velásquez was selected to
step up to the mike as the lead vocalist. In addition,
their school band director, Charles McKinney, took a
personal interest in the band and took one day out of
the week to teach them music theory.
"When I
became a high school freshman, I could not be hanging
around with younger kids, so my brother and I formed
Extacy. Next I joined the George Rivas Band, which
went head-to-head with Blue Harmony (featuring Patsy
Torres and Hugo Moreno) and Monsanto when they were
the best and hottest bands in town until we came along
and took over."
By 1978, the
former junior high school first string offensive left
tackle football player was six feet tall and had a
husky built. However, he had a baby face and grew a
mustache, which he kept until 1996, when he shaved it
off to now look younger.
When
Velásquez quit, most of Rivas’ musicians followed him
to form River City Band, but that was short-lived and
he joined Jorge Alejandro y La Paz, who in 1983 became
the opening band for La Mafia and they toured all over
Texas.
The turning
point for the vocalist born under the sign of Aries
occurred on Friday, November 28, 1983 following a
Thanksgiving Day gig in McAllen, Texas when he was a
passenger in a car driven by Bobby Solís and the
drummer fell asleep at the wheel. The car rolled over
near Three Rivers, Texas and Solís died instantly.
Velásquez’s left leg was broken in three places and
his face was so swollen, it was beyond recognition.
After being
laid up and while still in a cast, Velásquez
resurfaced as Looker, a rock band.
"Pete Ojeda
taught me about the fundamentals of jazz and Bugs
Garza taught me about jazz fusion. Pete had worked
with my hero, guitarist Steve Velásquez, and also with
Joe Posada and George Morín of Momentus – all jazz
players. And we played rock, but we would also study
jazz.
The only
problem is that they couldn’t make a living as a rock
band. Furthermore, Velásquez would not go back to
Tejano because of his near-death experience. His uncle
Jesse Quintero had long been trying to get Velásquez
to read the Bible. Then as fate would have it, twin
brothers Anselmo and Felipe Leal Jr., two childhood
friends and band mates, said the Lord had told them to
find Velásquez and it all came together.
"
One
thing lead to another after that experience,"
Velásquez said. "I had begun to seek the Lord. I began
to go to church and I got saved in a Pentecostal
church. But even before that, I was a very spiritual
person and I knew I had to grow as a musician."
The twins had
evolved into Morning Star, a Christian band Velásquez
joined them and began to play at tent revivals while
holding on to his day job of working with his father’s
construction company.
Suddenly
things started to fall into place. After Jesse Borrego
finished doing the "Fame" television series in 1987,
he and Velásquez formed Jesse Borrego y Los Muertos
with Jesse’s sister, Marina; his father, Jesse Sr.,
his brother, James; the Leal twins, Gilbert Cuellar
and Eric Casillas.
Two years
later, Velásquez went to work playing guitar with
Rodney J of the world famous Marcels and this is when
Velásquez started singing in Spanish.
"One night
Gibby Escobedo, his then wife Betsy; Moses Anguiano
and his late wife, Yolanda, came to Olly’s to enjoy
the floor show and told me that Jay Pérez had quit,
gone with David Lee Garza y Los Musicales and told me
to audition with twelve other singers. I had been
following the Breed from 1973 to 1989. So I knew their
entire book," Velásquez said.
Needless to
say, Velásquez was the chosen one and the next day, he
hit the road with his dream band. The next year,
shortly after the Breed performed in Chicago, the
entire band left to join Adalberto as his band for the
1990 "Me Nace" album. In order to meet their previous
commitments at Reflex and other clubs, Escobedo and
Velásquez quickly regrouped with a new assortment of
talented musicians and kept right on trucking.
In between
gigs, Velásquez made time to write songs for various
Osvaldo Rodriguez, Jesse Borrego, James Borrego and
Taylor Hackford Hollywood film project and stage
productions.
In 1991, Pete
Garza, bass; Frank Pérez, Donald Garza and Richard
Solís came back to record the "Born to Play" album
featuring Velásquez on lead vocals. Since then, many
tunes from that album have appeared on at least four
EMI Latin compilation compact discs.
Two years
later, Escobedo went underground and nobody knew where
he was. As a result, the band fell apart and Velásquez
went back to working with his father’s construction
company. In regard to that, he said, "I was born with
a hammer and nails in my hand. I’ve always worked with
my dad and construction is the family business."
In the mean
time, Velásquez had met Bob Gallarza and Jim Waller
and this would eventually lead to new projects.
In mid 1994,
Velásquez formed the New Latins, which included Juan
Tejeda on accordion. They recorded a demo cassette to
pitch to record labels, but after three years they
gave up and Velásquez went back to school. He did
however, continue to play and sing at St. James
Catholic Church. Then he began to explore, looking for
Jesus Christ in every religion.
"As I began to
look at all the similarities that unite us all as a
people, I believe Jesus was the prophet in all
religions. I believe all writings were inspired by one
God and that we all worship the same God."
Meanwhile, he
never stopped writing songs – now in the hundreds and
many of them Christian songs. Education-wise, after he
received his Associate in Arts degree and later
enrolled at UTSA.
In 2000,
after a seven year absence, Escobedo regrouped the
Breed and asked Velásquez to rejoin. Velásquez chose
to continue his education and Adalberto came back as
lead singer.
Almost
immediately after obtaining his Bachelor’s Degree in
business administration in 2005, Velásquez received a
telephone call from Gallarza asking him if he wanted
to perform in Las Vegas.
"Bob pulled
me in and after I did Vegas, I’m hooked on Tejano
again," Velásquez said. "So I came back and put
together a band. Gibby had sold the Latin Breed name
to Adalberto and Charlie "CR" Rodríguez so we couldn’t
call it that. Then Greg López
,
of Tejano Times,
and Dr. Rex suggested we do something at Cool Arrows.
After we got
hired to do our first gig there, just as Dr. Rex was
about to introduce us, he turned around and said,
‘what’s the name of the band?’ We still didn’t have a
name. Then he took one look at the musicians and said,
‘you have nothing but legends here, how about the
Latin Legends?’ So he’s the one who named us."
Sixteen years
after recording with Latin Breed, with the exception
of recording three tunes he wrote for a Ram Herrera
album, Elizabeth Hernández became the executive
producer of Velásquez’s first solo album, "Bob
Gallarza Presents …"
This year
Velásquez and his wife Teresa formed V Discos with his
brother Gabriel Quintero Velásquez and his wife
Jennifer, and then they released "Toma Mi Corazón."
"Just when
you thought that only Bob Gallarza could do this sort
of thing, I did all the arrangements and
orchestrations," the 48-year-old vocalist said. "Until
this album, the only other people that did horn
arrangements like these were Joél Guzmán, Little Joe
and Rubén Ramos. La onda chicana is being
washed out. So what I am doing with the Latin Legends
is trying to keep the orquestra tejana
sound alive with a full horn section because outsiders
have washed out what Tejano music is.
"This CD has
the number one ("No Me Niegues Tu Cariño"), two ("Dueña"),
three ("Toma Mi Corazón" a Rubén Vela tune in duet
with Jimmy Edward) and number eight (a cumbia version
of Mana’s "Mariposa Traicionera"), songs on
www.cdbaby.com
and that’s the website that you have to be on to be
considered for a Grammy. CD Baby.com also compares our
music to Tower of Power. It’s modern and very
contemporary, but still has that Tejano soul."
The
production contains seven Velásquez penned tunes and
the accordion sounds of David Lee Garza, a Cuco
Sánchez ballad and the superb "Oi Que Tu" plus
Santana-like "Prisionero De Tu Amor."
Overall, it
is highly enjoyable, mellow, soothing and pleasing to
the ear production because Velásquez is more of a
crooner then those vocalists who sing with such great
force that it sounds like they’re yelling and the
message in the lyrics gets lost. Instead, Velásquez
lets the horn section wail and give the music its
kick, hooks and contagious rhythm which makes the
listener want to get up and dance.
If you like a
brass laden band as Latin Breed, but is beyond your
budget for a club gig, birthday, quinceñeria or
wedding, readers should consider hiring the Legends
Band featuring Velásquez. So for booking call Teresa
at (210) 271-3590.
Our interview
filled up twelve pages and we had no choice but to
skim over much of this accomplished vocalist’s history
and numerous achievements due to space limitations, so
for more information and his schedule go to
www.rogerVelásquez.net,
or
www.myspace.com/rogerVelásquez.