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Monthly Archives: July 2012

Enjoy a Romantic Evening of Music with El Bolero II

Story and photos by Ramón Hernández

El Bolero II is a musical program that promises to seduce its listeners with an array of romantic ballads.

And as Patricia Pérez-Lemppaf, the show’s artistic director says, “However, remember that falling in love and being in love can sometimes end in heartache. So be prepared for this music to capture your soul and the lyrics transcend you and make you reminisce about a past or present love.

“So whether you’re in love, have fallen out of love or you’re in the process of conquering a sweetheart, the bolero will enlighten your heart and soul with visions of passionate love.”

In addition, the program is also educational in that those in attendance will be treated to several different forms of the genre which originated in 18th century Spain as a Spanish/ Africa dance with a very slow rumba style rhythm that evoked erotic feelings or communicated love between dance partners. In the Western World, the slow sensuous love song in Cuba evolved from a Caribbean genre known as trova in the eastern city of Santiago during the late 19th century, spread to Mexico and other Latin American countries in the mid-20th century and finally reached the United States where many boleros were translated into English and released as “What A Difference a Day Makes,” “You Belong to My Heart” and “A Taste of Me” to name a few.

According to Lemppaf, this Alizanza Latinoamericana musical program will present variations such as the bolero ranchero, as immortalized b Pedro Infante, the tango bolero as made famous by Carlos Gardel and Libertad Lamarque; and the contemporary bolero most recently popularized by Luis Miguel and El Tri-O.

Some of the performers include Emma Hernández, one of the best known vocalists during the 1950s and early ‘60s orchestra era when she was the featured vocalist for the Emilio Caceres Orchestra, also Marielos Duarte and Malú Gil, both Mexico City natives, who have sung with numerous trios and mariachis for as long as they can remember. Both chilangas started out performing at family gatherings eventually singing at public functions.

Other vocalists are María Betancourt, Isidro Manjarres, Jaimé Vidal, Broadway Joe, Paul Ford, James Hickey, Homero Zapata plus the mother-son duo of Ruby and Dennis Castell.

Some will perform with music tracks and others will be backed up by a trio of musicians.

Willie Zulaica, a Tejano music pioneer whose resume includes playing sax with Joe Bravo y Los Sunglows, Ruco Villarreal, O.B.G. Band de Rocky Hernández and is presently with Canela, is the show’s musical director.

Zapata of Los Internacional Hermanos Zapata not only sings, but also plays accordion and drums. As a drummer, he performed and recorded with Toby Torres and the internationally famous Flaco Jiménez from the late 1960s to 1976.

José Ramiro Pérez, Francesca Anderson and Richard Alvarado will also delight the audience with their ultra-smooth dance steps as they displayed how to dance to this beautiful music.

Alvarado’s credits are heading a seven year program with the San Antonio Library where he teaches salsa and merengue and where his busiest time of the year is during Hispanic Heritage Month.

They may not be household names, but they all sing and dance from the heart; and the fact that they can share their God-given talent is thanks to the Alianza Latinoamericana who recognizes their gift and provides the opportunity and venue for them to showcase their voice and their moves in this tribute to the bolero.

This production could not be possible without the volunteer help of Dalia Guzmán, artistic coordinator; Eduardo Velázquez, set designer; and the support of Street Talk Magazine’s Jaimé Vidal, La Prensa publisher Tino Durán and supporters such as Félix Padrón, Frank Villani, Juan Hernández, Johnny Hernández, Lissa Bengtson, Valerie Arrieta and Vanessa L. Jenkins, also Gabriel Sánchez and Dora Olvera.

The participation of all these people says volumes about this non-profit organization, which, with the exception of the Office of Cultural Affairs, has yet to receive a cent in funding therefore everyone is encouraged to attend and fill the venue to demonstrate why Alianza Latinoamericana is worthy to be considered as a serious contender for funding.

“Su Majestad – El Bolero II” – emceed by Andres Ricardo Morín — takes place at 7 p.m. on Saturday, August 4th at the International Folk Culture Center located on the Our Lady of the Lake campus at 411 S.W. 24th Street.

Anyone can save two dollars by purchasing their advance tickets for $5 and they are available at the International Folk Culture Center until July 24. Furthermore, patrons can also enjoy the delicious taste

For reservations or more information call (210) 431-3922, 385-3877 or 378-2970. One can also e-mail the organization at info@alianza-latinoamericana.org.

This is what makes me MAD as

Here is what was published by ThinkProgress.com

96 Year-Old Latino Former Arizona Governor Detained By Border Patrol In 100 Degree Heat

By Ian Millhiser  on Jul 6, 2012 at 12:00 pm

This man is Raúl Héctor Castro. He is 96 years old, a former Arizona governor, and a former United States Ambassador to El Salvador, Bolivia and Argentina. He was born in Mexico, and is a United States citizen.

Last month he was stopped by U.S. border patrol agents after residual radiation from a medical procedure he’d recently undergone triggered an alarm at a checkpoint in Tubac, AZ. The 96 year-old heart patient was then forced to exit his vehicle in the 100 degree Arizona heat and wait in a tent in a business suit, even as his companion begged the agents not to subject an elderly man to such treatment.

This is the third time the former governor and ambassador has been detained by border control. The first occurred years ago while he was repairing his own fence and agents stopped him and asked to see his work card — although they eventually desisted after Castro pointed out a sign by his farm entrance that read “Judge Castro.” The second occurred years later in San Diego, although that encounter ended shortly after someone recognized Castro and said “Governor, how are you?

—————————————————————————————————————————————————————————————

Now I know we will forever be un-fortunately living with a few Bad politicians that dictate their personal views into the law including those in our Supreme Court

However some of you in law enforcement need to go back to school and get a formal education! I have myself been in meetings where these big fat politicians are trying to come up with rules and regulations, and when someone like me jumps in  with “Are You Crazy” They simply say “Well at least we are not the one’s on the street having to enforce our crazy ideas!

This is Racial Profiling at it’s best.

I’m Mad

Eddie

p.s. I hope my friends Dr.Paul Ruiz & Margie don’t read this as I’m having a hard time keeping my blood pressure levels in check.

 

Güero Polkas reflects back on 48 years

Story and photos by Ramón Hernández

He was born Ricardo “Richard or Rick” Peña Dávila, but is best known as Güero Polkas and the Wolfman Jack of Tejano radio.

His radio experience dates back to 1954 when he was nine years old and used to cue the vinyl records for his father, Manuel Sr., who would follow Willie Nelson’s 3-5 p.m. shift at KBOP in Pleasanton, Texas.

“I would pull my ear close to the record so I could hear and cue the records without earphones. Many years later Willie remembered me as that little kid at KBOP radio since my dad relieved him, then Willie would come back to do the 7 p.m. to sunset shift,” Rick said.

During the time his father, also a songwriter, was on radio, Rick would watch Humberto Lozano López become Capirucha. He would also listen to and watch José “Pepino” Villarreal, Raúl “El Chapulin” Hernández, Willie Ramos, Mario “El Pico de Oro” Gutiérrez, El Gavilan Pollero” García, Ronquillo Chávez, José Pérez Del Rio, Roy “Que Piquito” Valdez and Fidel Cuellar – who later went to Voice of American in New York – work their on-the-air magic.

In 1957, his father and Pepino became partners and signed a contract with Manuel Leal, who owned KUKA. In October 1959, “Teen’s Choice” was born with Manuel Jr. and Rick; and later Pepino’s son, Gilbert Villarreal.

“We kind of spun off ‘Tops and Bops,’ which was hosted by Manuel Leal’s daughter Sylvia and her friend, Teresa Garza, who gave us her massive record collection when we came in,” Rick continued.

A big reason for the Dávila’s popularity is because they played the songs KTSA and KONO would not play, tunes by Sunny and the Sunglows, Doug Sahm and Rudy Tee. Since then the Dávila’s have been the champion for the underdog.

“Our Spanish wasn’t worth a crap, but it was a hit because of the dedications and because we spoke English,” said Manuel Jr. “We also played the slow stuff and the tunes other stations stopped playing once they were six months old. So people saw us as the first oldies station.”

Rick always sang along with records, but after he entered George W. Brackenridge High School, he became a featured singer at school assemblies doing ditties such “What’s Your Name” and other early 1960s soul hits.

What few people don’t know about is the connection between James Brown and KEDA and his friendship with Rick. The result is that Rick would emcee or did an opening comedy act at all the “Godfather of Soul” shows at the Municipal Auditorium or the Joe Freeman Coliseum. In fact, Rick and bandleader/sax man Maceo Parker once sang “Soul Man” with the originator of funk music’s orchestra.

The hazel-eyed teen idol graduated in 1964, joined the U.S. Navy and was assigned to the USS Shangri La, then home ported in Mayport, Florida.

During one of his trips back home, Rick recorded two of his own compositions, “Laughing to Keep from Crying” and “Can’t Keep You off My Mind” with the musical backing of the Royal Jesters for Abe Epstein’s Dynamic label.

At the time, the 66-year-old radio icon was stationed at Naval Air Station Alameda in San Francisco Bay and in 1966; Rick went to KSOL to make a pitch for his single. The place was like Fort Knox however, both the security guard and the secretary were nowhere to be found and he simply walked all the way to the back of the building and startled Sylvester Stone.

He and his siblings, Freddie and Rose, were known as Sly and the Family Stone, so the two radio personalities hit it off.

“Sly let me hear ‘Dance to the Music’ before it ever came out. Then much to my surprise and without listening to the single, he put it on the turntable and said, ‘Here’s my great friend from Texas . . .” and my song was heard from San José, the Golden Gate, Oakland and the entire bay area.

“I did the same thing with ‘The Bob White Flight’ program out of KDIA in Oakland and Abe couldn’t figure out how he sold close to 10,000 copies of that record at a time when they hated Mexicans in other states, more so one that sang rock’n’roll.”

Collectors can find both sides of this Güero-Royal Jesters tune on the “Más De Mis Rolas Favoritas” CD on the Toby CRS label.

Another must-have CD is “Sus 20 Éxitos.” This one contains “The Day I Found You,” which Rick recorded with Little Henry and the Laveers. Now back to our story.

On August 14, 1966, KEDA went on the air as a sunrise-sunset station with the slogan of “La Tejanita.” Rick was in the Navy, but he was still heard via a pre-recorded tape.

They brought ‘Teen’s Choice’ to KEDA with Manuel Jr. and his brother Roy as the show’s hosts, but that’s when the Davila’s realized that the real money was in Spanish-language radio and by now all the Chicano bands, such as Sunny and Little Joe, had started to record in Spanish.

Meanwhile Henry Pena, Jesse Vallardo Jr. and Rudy Rocha filled in their void when they spun off with their own shows on KUKA.

When Rick finished his two-year military stint, he hit the airwaves with his antics and became an instant hit. But according to Gilbert Rodríguez of Gilbert’s Restaurant, he said, “what endeared KEDA to everyone is that they gave everybody a chance by playing their music regardless of fame or no fame.”

“Our father taught us to fight for our local talent because there are musicians out there that are good,” Rick said. “They just have to be given the opportunity. So we played music that nobody else would play. We were a mom and pop operation and we didn’t make any hones about it because ours was a blue collar worker station.”

In regard to his monikers, Rick says that one day Capirucha walked in and corrected a word he mispronounced, than he turned to his father and said, “’Ese pinche Güero Polkero’ and from that point on I started saying, ‘les habla el güero polkero.’ Chalito Johnson told me to stop saying it that way. Then Manny Guerra came up with ‘Güero Polkas’ when I recorded for GP Records.

“As for the ‘Wolfman’ I actually met Wolfman Jack, but it was Ben Tavera King that kept referring to me as the ‘Wolfman Jack of Tejano music’ in his San Antonio Express-News column when I was playing keyboards. Then Jim Beal and his wife picked up on that and kept it going.”

There’s so much more the average person does not know about the 5-feet-7-inch tall radio legend, but he’s got such a long history and we only have so many inches for this story. So we now fast-forward to the day when the University of Jalapeño was sold on July 31, 2011.

“In a way I felt kind of bad towards the end because this was dad’s pride and joy, his biggest accomplishment and our home for 45 years, solo que me aguite.”

We didn’t mention, Rick’s quiet brother, Albert, who started out as a gofer and worked his way up to general manager, nor his sister and his mother, both named Madeline, who could all be found at KEDA on any given day.

On the personal side Güero and his wife, Mary Louise, are the proud parents of Richard John, Michael Anthony, Robert Sebastián, José Luis, Manuel Alberto, Mary Louise and Marla Anna Dávila.

“They all sing, write songs and produced 17 grandchildren. So I’m now a stay-at-home grandpa and I love it,” Güero said with one of his famous growls.

“As for the future, if something comes my way and they are willing to pay, I’m available and I’m established so don’t ask me to try out or audition.”