Artie V is unique in that he is incorporating his rap, funk and hip hop music background plus a touch of norteño into standard Tejano tunes.

His grandfather is Nick Villarreal Sr., his father, Arturo Villarreal, is Nick Villarreal Junior’s brother. Therefore, Artie’s uncle is Nick “Nicky Snic” Villarreal III and his roots are in conjunto music.

On his mother’s (Mary Ramírez) side, one of his cousins is Luis Martínez, a Stockton, California based singer/musician that is more into boleros and romantic trios.

“It stands to reason that my grandfather, Nick Villarreal Jr., my tio Nick (III) and Luis were my first musical influence because my dad would take me to see them perform at their ranch in Lytle, Texas since I could walk,” Artie said during an interview at the Hispanic Entertainment Archives.

“I remember I was seven when I went to see my uncle at Randy’s Ballroom and it was packed, people were laughing and having such a good time, they seemed to have forgotten about all their problems by listening and dancing to the music.

“After the show I asked, ‘How much do you have to pay them to let you sing?’ My uncle laughed and said, ‘No mi’jo, they pay me.’ And that’s when I said, ‘That’s what I want to do.’

“At twelve, my dad gave me my first guitar and my cousin Luis showed me my first chord when he came down from California. After that, I took off on my own,” the 43-year-old vocalist/musician continued.

When he turned fifteen, Artie started doing solo acoustic sets at small house parties and sitting in with bands such as Bandango, which marked his first time on stage. Then he tied up with Tom Reyes and other musicians to form an unnamed combo. A year later, the now bass guitar player and saxophonist Richard Hughes formed The Executones and did their first professional gig.

“I’ll never forget that night when we had keyboards, guitar, bass and vocals all coming out of one speaker and we blew that speaker.”

After they added Charlie Ybarra on keyboards; Raúl De La Garza, guitar; Jerome Jasso on drums and vocals, plus Ronnie Saldaña on sound, they evolved into Shasá and they rose to a new level in popularity.

In 1986, the Thomas Jefferson High School graduate and Shasá parted ways. Artie got into The Cure and Depeche Mode and shifted musical gears.

“I formed a new wave industrial music band with Mark Martínez, keyboards; Roland Carnavali, keyboards and bass, Eddie Rivas, drums and myself on keyboards and vocals. We called ourselves Arpeggio and yes, we had three keyboards.”

Before they knew it, Arpeggio was performing at all the Chelsea Street Pubs and most of the Riverwalk clubs. Saldaña had since become Rio Band’s soundman when he brought Artie’s vocal talents to Emilio Navaira’s attention and Navaira went to check him out.

“Emilio said he could get me signed up to Capitol-EMI, but this was no overnight feat, I didn’t want to leave the guys and they understood I was shifting to Tejano music because I always wanted to record, but I was unable to because the hip hop market is completely different.

“All of a sudden, I had to put a Tejano group together quick and that’s how Grupo Latino – Artie, lead vocals; Joe Martínez, accordion; Steve Pérez, keyboards; Rock, guitar; Julian Escobedo, bass; and Roland Luna, drums.

“Next Emilio hired me as his bodyguard. This is the reason I named my compact disc, ‘The Body Guard.’ Raulito Navaira came in as our manager and Emilio’s booking agents, Johnny and Joe Casias also became our agents in 1993.

“Wherever Emilio played, we played,” Artie continued. “How lucky is that? We went from playing little bars and clubs to doing big halls, prestigious clubs and stadiums, from performing for as few as 20 people to an ocean of 70,000 people at Galveston Beach on the same bill with Emilio, Selena and Carlos Miranda Jr. and Grupo Metal.

“I remember looking out at the sea of people and saying, ‘Where did all these Mexicans come from?’ and the audience cracked up with laughter.”

Grupo Latino’s first hit, “Perdoname” penned by Raulito, got heavy rotation in radio stations all over Texas and according to Artie, made No. 1 on KXTN’s charts. “Ay Dios Mio,” written by Artie’s mother also did well.

Meanwhile Artie juggled music and shift work as a mental health worker with behavioral problem kids at the Southwest Mental Hospital for Adolescents.

After five years as Emilio’s opening act, Artie and Grupo Latino went on their own way. By now they were so well known, they were able to share the same stage with Mazz, La Mafia, Selena, La Sombra, Roberto Pulido, La Fiebre, David Lee Garza, Tropa F plus Dee and Culturas, who Artie had worked with when Dee headed La Franz.

“After a while, circa 1996, I got tired of being the road and being away from my family and kids. So I gave up the road and quit singing all together, completely, and I became a corrections officer.

The year 2001 found Artie moonlighting as a club DJ at Cattleman’s and Cool Arrows where he also did karaoke. Impressed by his voice, club goers would go up to him and say, “Why are you doing this when you have a good voice,” but that was it.

In 2003, the Alamo City native became an iron worker and moved to Corpus Christi and it was here, working 150 feet up in the air at oil refineries that he arose to new heights.

Ten years after giving up the road, Pete Ybarra, Emilio’s former accordionist and Artie’s fishing buddy, suggested they form a band and this time Artie was ready. Hughes, saxophone; Kike Esquivel, guitar; Fito Riojas, bass; and Luna, drums; filled the gap and made up what they named Grupo Suave.

After the release of “The Iron Horse” CD on John Villanueva’s New Village Records, Ybarra quit to start Grupo Fuego.

This year, after over a quarter century of performing, Artie V was ironically nominated “New Upcoming Artist of the Year” by the Texas Talent Musicians Association (TTMA).

Ben Ramos, accordion; Zophar, guitar; Xavier, bass; and Martín Martínez, drums; now make up Grupo Suave and they are presently in the studio recording a new compact disc with a new twist in musical genres.

“Our style is like Tejano and lite norteño, which is a hint or touch of norteño. It’s more like progressive conjunto because I added a little bit of hip hop and funk into our arrangements. I also threw in some Colombian vallenato and we ever rap in our Colombianas,” Artie explained of his musical evolution. “So ‘Cowboy Up’ should be wrapped up pretty soon.”

Artie V y Grupo Suave will be performing at Club Movida on Friday, November 4 and November 26. For bookings call Artie at (210) 296-5003. For more information, also check out www.artievsuave.com or www.myspace.com/gruposuave.

Rudy Padilla joined Conjunto Padilla 56 years ago, he never quit and now it’s his.

The fact that his father, Eluterio Padilla, plus two of his uncles played guitar and were known as Trio Padilla, is the reason Rudy chose to learn the same instrument.

“They were my introduction and first influence,” Padilla said during an interview at Padilla’s Ice House, his own outlet and venue for conjunto music.

“My father bought me my first guitar because it was something I liked and wanted. Then he taught me all the chords and most important, how to tune the strings and the importance of playing in tune.”

Padilla was 16 and had already mastered the bajo sexto when he joined his father, his brother Raymond Padilla, guitar; and Henry Moreno on bass. There was no drummer.

“Later, when the use of a drummer caught on, everyone wanted to play drums and we went on to have an endless list of drummers. My father also formed the original Conjunto Padilla to keep us brothers united. He also bought us microphones, amplifiers and speakers – our first sound system,” the 72-year-old singer, songwriter, musician recalled.

Back then, in 1955, the venues that catered to conjunto music were the Westside and Southside cantinas, bars, terrazas, ice houses, Casino Park, Comanche Park and private parties.

In less than a year, they were performing live at KUKA and KEXX, where they, along with other teenagers, Flaco Jiménez and Toby Torres, participated in a polka music contest.

“Conjunto had strength due to its popularity, because groups charged less, because the music was más alegre, more joyful and the cozy, simple intimate setting of its venues.”

By 1963, Raymond was now playing accordion and Joe Padilla had learned to play bajo sexto when they recorded their first single, “Yo Tenia Dos Corazones” with “Mala Movida” on the flipside and featuring Rudy on lead vocals.

As was and remains the case with many local musicians, most of them cannot making a living off their number one love and Rudy became a full-time Special Deputy with the Bexar County Sheriff’s Department, a job he excelled at from 1964 to 1980. Then he formed Control Security Patrol, his own security agency. Stressed out with numerous problems and headaches, Rudy left that line of work.

“In 1990, I opened this ice house to relax,” Padilla said with a smile. And why not, it opens at 3 p.m. so that enables him to sleep late. It closes at 10:30 p.m. and that’s ideal for his customers so they can go home relaxed, get a good night’s sleep, and be ready for work the next morning. In addition, it affords Padilla an outlet for his conjunto as the Saturday night house band.

Eliminating all his woes and troubles also resulted in the release of Padilla’s creativity as a songwriter and to date, he has recorded four of his own compositions, two in each compact disc – “Pancho Boy,” “El Piscador de San Anton,” “El Westside de San Antonio, Texas en Los 1940s” and “Las Muchachas de Hoy.”

“I was inspired to start writing songs because I love the music of my youth and the stories of San Antonio,” Padilla revealed. “It’s important to document our history through music. That’s why I wrote a tune about what it was like in the 1940s.”

Asked to describe his style, Padilla said, “Conjunto Padilla’s music is laid back al estilo San Antonio, más suavecito and my recording are mixed for a cleaner voice so listeners can understand the words to my easy-going songs.”

Incidentally, Padilla also plays bass, accordion and drums and each Saturday, conjunto musicians gather to jam at Padilla’s Ice House from 6 p.m. to 8 p.m. Then Conjunto Padilla takes the stage until 11 p.m.

The ice house is located at 8510 New Laredo Highway, so come check them out. For bookings, call Rudy at (210) 927-6444.